University of Pennsylvania Cinema Studies
Events
SPRING 2006

Tuesday, January 17, 7:00 pm

Women and Film, First Edition
Screenings of:
Too Wise Wives, Lois Weber, 1921, 80 min
How Men Propose, Lois Weber, 1913, 6 min
Matrimony's Speed Limit, Alice Guy Blaché,1913, 14 min

Introduction by Prof. Karen Beckman
Cinema Studies at Penn

Cinema at Penn
3925 Walnut Street
Philadelphia, PA 19104

Free and open to the public


Tuesday, January 24, 7:00 pm

Women and Film, First Edition
Screening of Madchen in Uniform, Leontin Sagan, Germany, 1931, 88 min

Introduction by Prof. Karen Beckman
Cinema Studies at Penn

Cinema at Penn
3925 Walnut Street
Philadelphia, PA 19104

Free and open to the public

January 27 - 29

SELLING DEMOCRACY

Friday, January 27th
9:00 am - 4:30 pm
The Selling Democracy Symposium

Terrace Room in Logan Hall
249 South 36th Street
Philadelphia, PA 19104


Saturday and Sunday, January 28th and 29th
Selling Democracy: Films of the Marshall Plan 1948-1953
A two-day retrospective of 25 films from the Marshall Plan era divided into four programs

International House
3701 Chestnut Street
Philadelphia, PA 19104

Tuesday, January 31, 7:00 pm

Women and Film, First Edition
Screening of Olympia II: Festival of Beauty, Leni Riefenstahl, 1938, 90 min

Introduction by Prof. Karen Beckman
Cinema Studies at Penn

Cinema at Penn
3925 Walnut Street
Philadelphia, PA 19104

Free and open to the public


Friday, February 3, 3:30 pm

Visible Thinking: Film and the Essayistic
A lecture by Timothy Corrigan
Cinema Studies at Penn


Room 201 - Jaffe Building
3405 Woodland Walk
Philadelphia, PA 19104

Free and open to the public

Tuesday, February 7, 7:00 pm

Women and Film, First Edition
Screening of Dance, Girl, Dance, Dorothy Arzner, USA, 1940, 90 min

Introduction by Prof. Karen Beckman
Cinema Studies at Penn

Cinema at Penn
3925 Walnut Street
Philadelphia, PA 19104

Free and open to the public


Wednesday, February 8, 3:30 pm

Alfred Hitchcock Series
Strangers on a Train, 1951, 101 min

Introduction by Prof. Valerie Ross
Critical Writing at Penn

Cinema at Penn
3925 Walnut Street
Philadelphia, PA 19104

Free and open to the public

Wednesday, February 8, 8:00 pm

Penn Cinema Association Film Series, Fourth Edition

Jaws, Steven Spielberg, 1975, 124 min

Cinema at Penn
3925 Walnut Street
Philadelphia, PA 19104

Free and open to the public

Thursday, February 9, 5:00 pm

Penn Cinema Studies Colloquia, Spring 2006
Cinema Minimo: Digital Media and Participatory Culture
in Spain and Latin America

A lecture by Michael Solomon
Romance Languages (Spanish) at Penn


201 Fisher-Bennett Hall
3340 Walnut Street
Philadelphia, PA 19104

Free and open to the public

Tuesday, February 14, 7:00 pm

Women and Film, First Edition
Screenings of:
Meshes of the Afternoon, Maya Deren, 1943, 15 min
At Land, Maya Deren, 1944, 15 min
A Study in Choreography for the Camera, Maya Deren, 1945, 4 min
Sink or Swim, Su Friedrich, 1990, 48 min

Introduction by Prof. Karen Beckman
Cinema Studies at Penn

Cinema at Penn
3925 Walnut Street
Philadelphia, PA 19104

Free and open to the public


Wednesday, February 15, 3:30 pm

Alfred Hitchcock Series
Rear Window, 1954, 112 min

Introduction by Prof. Valerie Ross
Critical Writing at Penn

Cinema at Penn
3925 Walnut Street
Philadelphia, PA 19104

Free and open to the public

Wednesday, February 15, 8:00 pm

Penn Cinema Association Film Series, Fourth Edition

The Last Waltz, Martin Scorsese, 1978, 117 min

Cinema at Penn
3925 Walnut Street
Philadelphia, PA 19104

Free and open to the public

Tuesday, February 21, 7:00 pm

Women and Film, First Edition
Screenings of:
Everybody Rides the Carousel, John Hubley, 1975, 72 min
My Universe Inside Out, Faith Hubley, 1996, 25 min

Introduction by Prof. Karen Beckman
Cinema Studies at Penn

Cinema at Penn
3925 Walnut Street
Philadelphia, PA 19104

Free and open to the public


Wednesday, February 22, 3:30 pm

Alfred Hitchcock Series
Vertigo, 1958, 120 min

Introduction by Prof. Valerie Ross
Critical Writing at Penn

Cinema at Penn
3925 Walnut Street
Philadelphia, PA 19104

Free and open to the public

Wednesday, February 22, 7:00 pm

The Tri-College Faculty Group in Film and Visual Studies,
Swarthmore's Program in Film and Media Studies, and Penn Cinema Studies


present

Thomas Elsaesser
University of Amsterdam

A Mode of Feeling or a View of the World? Melodrama Revisited

Lang Performing Arts Center Cinema
Swarthmore College

Thomas Elsaesser is one of the world's leading cinema studies scholars. He is the author of numerous prize-winning books New German Cinema: A History (1989), Fassbinder's Germany (1996), Weimar Cinema and After (2000), and Metropolis (2000). Recent books have been on Studying Contemporary American Film (2002), the filmmaker and installation artist Harun Farocki (2005) and European Cinema Face to Face with Hollywood (2005). His essays on film theory and history and television have appeared in well over two hundred collections and anthologies and in such journals as Discourse, Framework, Iris, New German Critique, October, Persistence of Vision, Positif, Screen, Sight and Sound, and Wide Angle. At the University of Amsterdam, Elsaesser served as chair of the Department of Film and Television Studies from 1991-2001 and is now Research Professor in the Department of Media and Culture. In addition, twenty volumes have appeared to date under his editorship of the Amsterdam University Press series Film Culture in Transition. He is currently teaching at Yale University.

This presentation explores why the melodramatic imagination has become one of our most important forms of cultural memory and political expression.

For directions to Swarthmore:
http://www.swarthmore.edu/visitors/directions_maps.html

For more information contact:
Patricia White pwhite1@swarthmore.edu


Wednesday, February 22, 8:00 pm

Penn Cinema Association Film Series, Fourth Edition

Raiders of the Lost Ark, Steven Spielberg, 1981, 115 min

Cinema at Penn
3925 Walnut Street
Philadelphia, PA 19104

Free and open to the public

Wednesday, March 1, 3:30 pm

Alfred Hitchcock Series
North by Northwest, 1959, 136 min

Introduction by Prof. Valerie Ross
Critical Writing at Penn

Cinema at Penn
3925 Walnut Street
Philadelphia, PA 19104

Free and open to the public

Wednesday, March 1, 8:00 pm

Penn Cinema Association Film Series, Fourth Edition

Walk the Line, James Mangold, 2005, 136 min

Cinema at Penn
3925 Walnut Street
Philadelphia, PA 19104

Free and open to the public

Tuesday, March 14, 7:00 pm

Women and Film, First Edition
Screening of Madame X: An Absolute Ruler, Ulrike Ottinger, Germany, 1978, 141 min

Introduction by Prof. Karen Beckman
Cinema Studies at Penn

Cinema at Penn
3925 Walnut Street
Philadelphia, PA 19104

Free and open to the public


Wednesday, March 15, 3:30 pm

Alfred Hitchcock Series
Psycho, 1960, 109 min

Introduction by Prof. Valerie Ross
Critical Writing at Penn

Cinema at Penn
3925 Walnut Street
Philadelphia, PA 19104

Free and open to the public

Wednesday, March 15, 8:00 pm

Penn Cinema Association Film Series, Fourth Edition

Full Metal Jacket, Stanley Kubrick, 1987, 116 min

Cinema at Penn
3925 Walnut Street
Philadelphia, PA 19104

Free and open to the public

March 17 - 18

South Asia Center
Project for Global Communication Studies
Cinema Studies

present

CINEMA SOUTH ASIA
A South Asia Cinema Conference

Rooms 108, 110 & 111
Annenberg School
3620 Walnut Street
Philadelphia, PA 19104

********************************************************************************

Friday, March 17th

12:00 - 1:30
Lunch

1:30 - 2:00
Welcoming Remarks

Suvir Kaul, Penn South Asia Studies
Peter Decherney, Penn Cinema Studies

2:00 - 3:30
First Session
Moderator: Suvir Kaul, Penn South Asia Studies

Myths of Origin: Modernity and Early Indian Cinema

Manishita Dass, Swarthmore College

The Sant Idiom and Early Marathi Cinema
Christian Novetzke, University of Pennsylvania

Phenomenology, Film Theory, and Indian Popular Cinema
Anustup Basu, University of Illinois at Urbana-Champaign

3:00 - 3:30
Break

3:30 - 5:00
Keynote Address
Introduction: Manishita Dass, Swarthmore College

Researching Indian Film
Ravi Vasudevan, Sarai, Center for the Study of Developing Societies

6:00 - 7:30
Dinner

8:00
Film Screening

Hazaaron Khwaishein Aisi
A Thousand Desires Like This (One)

Directed by Sudhir Mishra, 2003
English subtitles

********************************************************************************

Saturday, March 18th

9:30 - 11:00
Second Session
Moderator: Christian Novetzke, Penn South Asia Studies

Bollywood, USA: Diasporas, Nations, and the Figure of the NRI
Jigna Desai, University of Minnesota

Untimely Bollywood: Globalization and India’s New Media Assemblage
Amit Rai, Florida State University

Knocking on Heaven's Door
Priya Joshi, Temple University

11:00 - 11:30
Break

11:30 - 1:00
Third Session
Moderator: Manishita Dass, Swarthmore College

Projecting the past
Lalitha Gopalan, Georgetown University

Immortal Story or Nightmare? Dr. Kotnis Between Art and Exploitation
Neepa Majumdar, University of Pittsburgh

The Critical Enchantment of Mourning
Bhaskar Sarkar, University of California at Santa Barbara

1:00 - 2:30
Lunch

2:30 - 4:00
Fourth Session
Moderator: Peter Decherney, Penn Cinema Studies

A New Universalism: Terrorism and Film Language in
Mani Ratnam’s Kannathil Muthamittal (Peck on the Cheek, Tamil, 2002)

Priya Jaikumar, University of Southern California

An Anomalous Case: The Censorship of the Self-Sacrificial Woman
Monika Mehta, SUNY Binghamton

The Formalization of Informality
Nitin Govil, University of California at San Diego

4:00 - 4:30
Break

4:30 - 5:30
Roundtable
Including, among others, Gayatri Chatterjee, Penn
and Sangita Gopal, University of Oregon

6:30
Reception and Conference dinner

********************************************************************************

Event is free and open to all Penn and non-Penn members
RSVP required by March 13 by emailing to Haimanti Banerjee


Rooms 108, 110 & 111
Annenberg School
3620 Walnut Street
Philadelphia, PA 19104

March 20 and 22

Cinema Studies Program and Temple-Penn Poetics
in partnership with the Penn Humanities Forum


present

Richard Foreman

***********************************************

Monday, March 20, 5:30 - 7:30 pm

Jay Sanders introduces a program of never before screened footage of Richard Foreman's plays, the Philadelphia premiere of Henry Hill's King Richard, and some clips of 60s & 70s performance art related to the early years of Foreman's work.

401 Fisher-Bennett Hall
3340 Walnut Street
Philadelphia, PA 19104

Free and open to the public

***********************************************

Wednesday, March 22, 5:00 - 6:30 pm

Richard Foreman presents Experimental Ontological-Hysteric Theatre

Bodek Lounge in Houston Hall
3417 Spruce Street
Philadelphia, PA 19104

Free and open to the public, but registration is required
<http://humanities.sas.upenn.edu/05-06/foreman.shtml>


Tuesday, March 21, 7:00 pm

Women and Film, First Edition
Screening of The Man Who Envied Women, Yvonne Rainer, USA, 1985. 125 min

Introduction by Prof. Karen Beckman, Cinema Studies at Penn

Cinema at Penn
3925 Walnut Street
Philadelphia, PA 19104

Free and open to the public


Wednesday, March 22, 3:30 pm

Alfred Hitchcock Series
The Birds, 1963, 120 min

Introduction by Prof. Valerie Ross
Critical Writing at Penn

Cinema at Penn
3925 Walnut Street
Philadelphia, PA 19104

Free and open to the public

Wednesday, March 22, 8:00 pm

Penn Cinema Association Film Series, Fourth Edition

Lolita, Stanley Kubrick, 1962, 152 min

Cinema at Penn
3925 Walnut Street
Philadelphia, PA 19104

Free and open to the public

Friday, March 24, 3:00 - 5:00 pm

Film and Pedagogy III
The Cinema Studies Program and the Graduate Humanities Forum
are pleased to offer their third workshop on film and pedagogy featuring Penn Cinema Studies faculty

Karen Beckman
Theory and Research in the Cinema Studies Classroom

Timothy Corrigan
Film and/as/against Literature

Peter Decherney
Using Images in the Film History Lecture

John Lessard, Ph.D. in English at Penn
Graduate Studies in Literature and Film and the Academic Job Market


Graduate students and faculty are welcome to attend

This workshop fulfills the attendance requirement at one of two workshops
for the graduate certificate in cinema studies. More information at:
<http://cinemastudies.sas.upenn.edu/about/graduatecertificate.html>


401 Fisher-Bennett Hall
3340 Walnut Street
Philadelphia, PA 19104

Reception to follow

Free and open to the public

Tuesday, March 28, 7:00 pm

Women and Film, First Edition
Screenings of:
Remembering Wei Yi-fang, Remembering Myself..., Yvonne Welbon, 1996, 30 min
Sisters in Cinema, Yvonne Welbon, 2003, 62 min

Introduction by Prof. Karen Beckman
Cinema Studies at Penn

Cinema at Penn
3925 Walnut Street
Philadelphia, PA 19104

Free and open to the public


Wednesday, March 29, 3:30 pm

Alfred Hitchcock Series
Marnie, 1964, 120 min

Introduction by Prof. Valerie Ross
Critical Writing at Penn

Cinema at Penn
3925 Walnut Street
Philadelphia, PA 19104

Free and open to the public

Wednesday, March 29, 5:00 pm

Scenes of Instruction: The Beginnings of the U.S. Study of Film
A lecture by Dana Polan, New York University

Dana Polan is a professor of cinema studies at NYU's Tisch School of the Arts. He is the author of 7 books in film and cultural studies, including SCENES OF INSTRUCTION: THE BEGINNINGS OF THE U.S. STUDY OF FILM (forthcoming, University of California Press) and THE SOPRANOS (forthcoming, Duke University Press). Among his current projects is a study, entitled PROFESSORS, of academic life, and its status and representation in American everyday culture.

401 Fisher-Bennett Hall
3340 Walnut Street
Philadelphia, PA 19104

Free and open to the public

Wednesday, March 29, 8:00 pm

Penn Cinema Association Film Series, Fourth Edition

Dr. Strangelove, Stanley Kubrick, 1964, 93 min

Cinema at Penn
3925 Walnut Street
Philadelphia, PA 19104

Free and open to the public

March 30 - April 12

2006 Philadelphia Film Festival

In conjunction with the Philadelphia Film Festival
Cinema Studies presents

CINE CAFES

Monday, April 3, 5:00 pm
Cinema of the Muslim World
Led by Pardis Minuchehr
Penn Near Eastern Languages and Civilizations Department
at the Rotunda
4014 Walnut Street (next to The Bridge Cinema)
Philadelphia


Wednesday, April 5, 5:00 pm
Documentary
Led by Timothy Corrigan
Penn Cinema Studies Program and English Department
at the Last Word Bookshop
3925 Walnut Street
Philadelphia


Friday, April 7, 5:00 pm
Regional Filmmaking
Led by Nicola M. Gentili
Penn Cinema Studies Program
at the Voices and Visions
The Bourse, 4th Street
Lower level (across from Ritz at The Bourse)
Philadelphia


Monday, April 10, 5:00 pm
The Business of Film
Led by Peter Decherney
Penn Cinema Studies Program and English Department
at the Penn Bookstore
2nd Floor (Music section)
3601 Walnut Street
Philadelphia


Tuesday, April 11, 5:00 pm
Music and Film
Led by David Copenhafer
Penn Music Department
at the World Cafe Live
3025 Walnut Street
Philadelphia

Monday, April 3

Project for Global Communication Studies at the Annenberg School for Communication
Cinema Studies Program

present

Mick Csaky

***********************************************

1:00 pm

Film & Activism: A conversation with Mick Csaky

Mick Csáky works primarily as a freelance writer/producer/director of factual programming for television, as well as an executive producer. At the same time he runs his own independent production company Antelope as Chief Executive & Creative Director. For the past 30 years the primary focus of his programming has been in the areas of biography, history, current affairs, politics, music and arts.
More at <http://www.antelope.co.uk/ante_mick.html>


Room 500 - Annenberg School
3620 Walnut Street
Philadelphia, PA 19014


Seating will be limited, people will need to RSVP to
Sylvie Beauvais <sbeauvais@asc.upenn.edu>


***********************************************

7:00 pm

AFRICA LIVE The Roll Back Malaria Concert:
A screening and conversation about film making and distribution with Mick Csaky


The Bridge Cinema De Lux
Corner of 40th and Walnut Streets
Philadelphia, PA 19104


Free and open to the public

Tuesday, April 4, 7:00 pm

Women and Film, First Edition
Screening of Reassemblage, Trinh T. Minh-ha, France/Senegal, 1982, 40 min

Introduction by Prof. Karen Beckman
Cinema Studies at Penn

Cinema at Penn
3925 Walnut Street
Philadelphia, PA 19104

Free and open to the public


Thursday, April 6, 5:00 pm

Penn Cinema Studies Colloquia, Spring 2006
Self-Reflexivity in Nazi Cinema
A lecture by Simon Richter and Catriona MacLeod
German at Penn


201 Fisher-Bennett Hall
3340 Walnut Street
Philadelphia, PA 19104

Free and open to the public

Thursday, April 6, 6:30 pm

Film as Critical Practice:
The Cinema of Guy Debord and the Spectre of Situationism


Slought Fundation
4017 Walnut Street
Philadelphia, PA 19104

Free and open to the public

Friday, April 7, 3:15 pm

Film is...
Panel in DISCIPLINES: History and Anxiety Symposium
<http://ccat.sas.upenn.edu/Complit/disciplines/>

Rebecca Sheehan,
UPenn (Comparative Literature – Moderator)
Peter DeCherney,
UPenn (English and Cinema Studies)
Michael Solomon,
UPenn (Romance Languages/Spanish and Hispanic Studies)
John Lessard,
UPenn (English)

401 Fisher-Bennett Hall
3340 Walnut Street
Philadelphia, PA 19104

Free and open to the public

Monday, April 10, 11:55 am

60 SECOND LECTURE
Peter Decherney, Penn Cinema Studies
What Will Kill the Movies?

Lectures will take place on the steps by the Peace
Sign to the left of the main entrance to Van Pelt Library

Tuesday, April 11, 11:00 am

Weigle Information Commons Open House

Van Pelt Dietrich Library Center - 1st floor west

Thursday, April 13, 2:30 - 5:30 pm

Screening: How Little We Know Of Our Neighbors
Guest Filmmaker Rebecca Baron
Respondant: Timothy Corrigan

Temple University
Room 3 - Annenberg Hall


More on this event, as part of MEDIATING PRACTICES, at:
<http://astro.temple.edu/~rcoover/MediatingPractices.html>

Friday, April 21, 2:00 - 5:00 pm

University of Pennsylvania's
Cinema Studies Program and Theatre Arts Program

present

MUSLIM HERITAGES IN CINEMA AND THEATRE

Indonesian American Filmmaker
Fatimah Tobing Rony

Iranian American Playwright
Layla Dowlatshahi


401 Fisher-Bennett Hall
3340 Walnut Street
Philadelphia, PA 19104

Free and open to the public

Director, screenwriter, and producer Fatimah Tobing Rony will screen three of her short films, On Cannibalism (6 mins.), Treasure (2 mins.), and Jarocho Elegua (4 mins.). An Indonesian American who grew up in Washington, DC, after earning a PhD from Yale, Rony went on to earn an MFA from UCLA in film directing. Her book The Third Eye is about ethnographic and monster films. She is currently under contract to ABC to make her film Gracie Makes a Movie.

Penn students will read from the play The Waiting Room by dramatist Layla Dowlatshahi. An Iranian American who grew up in California, Dowlatshahi earned her MFA in playwriting from Goddard. In 2004, she was featured in a New York Times article. The Waiting Room (which takes place during the genocide and mass rapes of Muslims in Bosnia in 1992) premiered at Penn in 2004. Her play The Joys of Lipstick was produced at the Producers Club in NYC in 2003 and the Lark Theatre in NYC in 2005.

Both Rony and Dowlatshahi will speak to the audience about their artistic careers and about images of Muslim women in their works. They will take questions from the audience. A light reception will accompany the event, which is free of charge.

For more information, please contact
Dr. Mera Moore <tmlaffer@sas.upenn.edu>




Cinema Studies Program - 209A Fisher-Bennett Hall - 3340 Walnut Street - Philadelphia, PA 19104
phone 215.898.8782 - fax 215.573.0262 - filmatpenn@ccat.sas.upenn.edu